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CARDUCHO, Vicente

(b. 1576, Florence, d. 1638, Madrid Painter and theorist, brother of Bartolom Carducho. He became a prolific painter for both the church and the court in Castile, adapting a late 16th-century Italianate style, introduced into Spain in the 1580s, to Spanish themes and settings. After his death this style was superseded in monastic programmes by Zurbarn's pietistic simplicity and in altarpieces and devotional painting by the elegant compositions of van Dyck and Rubens, while Velezquez was unrivalled as a portrait painter. Of more enduring influence than Vicente's paintings, however, was his Dielogos de la pintura (Madrid, 1633), an erudite defence of painting as a noble pursuit and of the artist as a learned humanist. While painters in Spain struggled until the 18th century to attain freedom from artisanship, the Dielogos featured significantly in 17th-century efforts to achieve that goal,

CARDUCHO, Vicente The Vision of St. Anthony of Padua sdf painting


The Vision of St. Anthony of Padua sdf
The Vision of St. Anthony of Padua sdf
Painting ID::  5820
  1631 Oil on canvas The Hermitage, St. Petersburg
  1631 Oil on canvas The Hermitage, St. Petersburg

 

 
   
      

CARDUCHO, Vicente
(b. 1576, Florence, d. 1638, Madrid Painter and theorist, brother of Bartolom Carducho. He became a prolific painter for both the church and the court in Castile, adapting a late 16th-century Italianate style, introduced into Spain in the 1580s, to Spanish themes and settings. After his death this style was superseded in monastic programmes by Zurbarn's pietistic simplicity and in altarpieces and devotional painting by the elegant compositions of van Dyck and Rubens, while Velezquez was unrivalled as a portrait painter. Of more enduring influence than Vicente's paintings, however, was his Dielogos de la pintura (Madrid, 1633), an erudite defence of painting as a noble pursuit and of the artist as a learned humanist. While painters in Spain struggled until the 18th century to attain freedom from artisanship, the Dielogos featured significantly in 17th-century efforts to achieve that goal,
The Vision of St. Anthony of Padua sdf
1631 Oil on canvas The Hermitage, St. Petersburg

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Related Paintings to CARDUCHO, Vicente :.
| tva grasiskhanar i al | Portrait of Caroline Murat with her daughter, Letizia | Christ on the Mount of Olives | The Second of May 1808 or The Charge of the Mamelukes | Claude Monet Painting by the Edge of a Wood |


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